1. If you are a teenager living on Elm street what should you never do?
A. Go to sleep
B. Play with dolls
C. Go to the prom
D. Have sex
A. Go to sleep
Topics: We all know from "Nightmare on Elm Street" that your dreams can get you killed by Freddy Krueger. Written by Craven, a old English teacher, the film's installation is the request of where the line between dreams and reality lies. The villain, Freddy Krueger, exists in the "dream world" and yet can kill in the "real world".
2. If you are up on your movie lore, then you also know that you should never accept what job on Halloween?
A. Hotel clerk
B. Baby sitter
C. Camp counselor
D. Traveling salesman
B. Baby sitter
Topics: Halloween (also known as John Carpenter's Halloween) is a 1978 American independent bad dream film set in the fictional Midwest town of Haddonfield, Illinois on Halloween. Originally titled The Babysitter Murders, the film centers on Michael Myers' flee from a psychiatric hospital, his murdering of teenagers, and Dr. Loomis's attempts to track and stop him.
3. What should tip you off to a bad motel to check in to?
A. No one else has checked in for weeks
B. The clerk talks too much about his mother
C. The clerk's name is Norman
D. You are a thief
B. The clerk talks too much about his mother
Topics: At the end of the film, a forensic psychiatrist, Dr. Fred Richmond (Oakland), explains to Lila, Sam and the authorities that Bates' mother, though dead, lives on in Norman's psyche. Norman was so dominated by his mom while she lived, and so guilt-ridden for murdering her eight years earlier, that he tried to erase the crime from his mind by bringing his mom back to life.
4. If you are looking for a job on Crystal Lake what offer should you not accept?
A. Mailman
B. Truck driver
C. Camp cook
D. Camp counselor
D. Camp counselor
Topics: In Friday the 13th, we learn it is a bad job to be a advisor at Camp Crystal Lake where the counselors die highly bloody deaths at the hands of an unseen killer who turns out to be the cook whose son Jason drowned 25 years earlier while neglected by romancing counselors.
5. British actor Boris Karloff created a cinematic icon when he played the role of what monster?
A. Dracula
B. Werewolf
C. Frankenstein
D. Alien
C. Frankenstein
Topics: British actor Boris Karloff played the role of the monster in the 1931 film "Frankenstein". The ghoulish makeup he wore and the lurching walk he adopted in the film have come to be conventions, even cliches, of bad dream films. And beyond the private techniques Karloff used when playing the role of the monster, he created a feeling of condolence for the character, a technique that has since come to be a more general trait of prosperous bad dream films, whose monsters often gain intensity by fascinating audiences as well as repelling them.
6. Béla Lugosi was a Hungarian/American actor best known for his portrayal of what monster?
A. Dracula
B. Werewolf
C. Frankenstein
D. Alien
A. Dracula
Topics: Béla Ferenc Dezso Blaskó, best known as Béla Lugosi, was best known for his portrayal of Count Dracula in the American Broadway stage production, and subsequent film, of Bram Stoker's superior vampire story.
7. In this 1970s book and novel, a mom believes her child (played by Linda Blair in the movie) is what?
A. An alien
B. The devil
C. Possessed by a demon
D. Bearing the devil's baby
C. Possessed by a demon
Topics: Novelist William Peter Blatty based his 1971 best-seller on the last known Catholic-sanctioned exorcism in the United States. Blatty transformed the itsybitsy boy in the 1949 incident into a itsybitsy girl named Regan, played by 14-year-old Linda Blair in the 1973 movie. Suddenly prone to fits and bizarre behavior, Regan proves quite a handful for her actress-mother, Chris MacNeil (played by Ellen Burstyn, although Blatty reportedly based the character on his next-door neighbor Shirley MacLaine). When Regan gets wholly out of hand, Chris calls in young clergyman Father Karras (Jason Miller), who becomes convinced that the girl is possessed by the Devil and that they must call in an exorcist: namely, Father Merrin (Max von Sydow). His foe proves to be no run-of-the-mill demon, and both the clergyman and the girl suffer numerous horrors during their struggles.
8. In a bad dream movie, you should worry if you encounter a doll named what?
A. Smiley
B. Bonnie
C. Chucky
D. Dolly
C. Chucky
Topics:Charles Lee Ray, or Chucky for short is a fictional character from the Child's Play series of bad dream films, the original screenplay was credited as written by Don Mancini, John Lafia and Tom Holland. He is the original villain featured in the series. Chucky is a doll that was possessed by means of voodoo magic by serial killer Charles Lee Ray, the notorious Lakeshore Strangler. during most of his time as a doll, Chucky chased after a boy named Andy Barclay because Andy was the first person he told his real name to as a doll.
9. Movies also teach us that if your son warns of "redrum" you best distance yourself from your husband pronto. But in "The Shining" all the husband is worried about is what?
A. Working too hard
B. Playing too hard
C. Becoming a murderer
D. Being murdered
A. Working too hard
Topics: "All work and no play makes Jack a dull boy" -- or, rather, a homicidal boy in Stanley Kubrick's eerie 1980 adaptation of Stephen King's bad dream novel. With wife Wendy (Shelley Duvall) and psychic son Danny (Danny Lloyd) in tow, frustrated writer Jack Torrance (Jack Nicholson) takes a job as the winter caretaker at the opulently ominous, mountain-locked Overlook Hotel so that he can write in peace. Before the Overlook is vacated for the Torrances, the boss (Barry Nelson) informs Jack that a old caretaker went crazy and slaughtered his family. Settling into their routine, Jack sets up shop in a cavernous lounge with accurate orders not to be disturbed. Danny's alter ego, "Tony," however, starts warning of "redrum" as Danny is plagued by more blood-soaked visions of the past, and a blocked Jack starts visiting the hotel bar for a few visions of his own. Frightened by her husband's behavior, Wendy soon discovers what Jack has literally been doing in his study all day, and what the hotel has done to Jack.
10. You can never literally go home again, or at least you shouldn't if your neighbors belong to this profession?
A. Slaughterhouse workers
B. Morticians
C. Chefs
D. Veterinarians
A. Slaughterhouse workers
Topics: Tobe Hooper's influential cult classic, The Texas Chain Saw Massacre, continues the subgenre of bad dream films based on the life and "career" of Wisconsin serial killer Ed Gein. When Sally Hardesty (Marilyn Burns) hears that the Texas cemetery where her grandfather is buried has been vandalized, she gathers her wheelchair-bound brother Franklin (Paul A. Partain) and any other friends together to see if grandpa's remains are still in one piece. While in the area, Sally and her friends determine to visit grandfather's old farmhouse. Unfortunately, a family of homicidal slaughterhouse workers who take their job home with them have taken over the house next door. Included surrounded by the brood is Leatherface (Gunnar Hansen), a chainsaw-wielding human bad dream show who wears a face mask made out of human skin. Sally's friends are rapidly exterminated one-by-one by the next-door neighbors, leaving only Sally left to fight off Leatherface and his clan.
Scary Movie Trivia Questions And AnswersFor people who don't like to spend a lot of time manufacture Halloween decorations, either it's just for the front porch or your whole house for a Halloween party, there are easier ways to make scarier decorations. You can use some simple techniques to give a whole new look to a jack o' light or the paper bats.
Jack o' lanterns are not only the most popular original Halloween decorations but they're also one of the easiest to make and customize. You can generate lots of dissimilar faces in your pumpkin carvings by simply changing how you carve the eyes. Make jagged edge ones, narrow snake like slits or carve them so that they're wider on the face and narrow at the back (like a funnel). Other than the eyes, you can make slashes in the face or turn how you carve the mouth. To make these Halloween arrangements stand out even more, put red marbles in the eye sockets or in the mouth. When you add the candle, it will give a glowing red effect.
Take commonplace masks, and paint them to look scary. Clown masks are the easiest to work with, but you can use other masks too like a cupid (the same that was in the movie Valentine) or just use a hockey mask and reminisce in the nightmare of Friday the Thirteenth. You can take commonplace masks and add a tangled dirty wig to look like Mike Meyers from Halloween.
Don't forget to make a good impression with the food, pumpkin cookies and gummy worms aside, don't forget all the great Halloween treats that come out of Halloween gift baskets or try Halloween fruit baskets and fruit bouquets that come in pumpkin shaped containers.
How to Make Halloween Decorations Extra ScaryAs there are varieties of subjects, themes and art, there are various types of a short story. Some of the types are ancient tales, humor, satire, fantasy, biography, education, local color, and history. Lets us have a descry on each one of them in this article.
1. Aged Tales
It is the power of the utilization of the Aged form of the tale in the contemporary short story. Italian writer Giovanni Verga's The She-Wolf (1880), and Chinese writer Yeh Shao-Chun's Mrs. Li's Hair are qualified examples.
2. Fantasy
Fantasy stories are nothing but the fair composition of the old tales tradition and the supernatural details. The fine examples of such stories are British writer John Collier's nightmare fantasy Bottle Party (1939), Irish author Elizabeth Bowen's The Demon Lover (1941), and British author Saki's Tobermory (1911).
3. Humor
These types of stories are meant for producing surprise and delight. You will see that the most illustrious humorous tales and fables were written by the Americans. Mark Twain's The illustrious Jumping Frog of Calaveras County (1865), and Joel Chandler Harris's The astounding Tar-Baby Story (1894) are remarkable. There is serious humor in the works of Americans like Eudora Welty's Petrified Man (1939) and Dorothy Parker's The Custard Heart (1939).
4. Satire
The main purpose of satire is to charge the evils of society. There are writers who wrote stories of sober satire. Austrian author Arthur Schnitzler's Fate of the Baron (1923), and American Mary McCarthy's The Man in the Brooks Brothers Shirt (1941) are known for their somber satire.
5. Schooling Story
Such stories revolve around the Schooling of the main character. The good example is American educator Lionel Trilling's Of This Time, of That Place (1944).
6. History
History types deal with a life story or historical event. Welty's A Still moment (a 1943 story about naturalist John James Audubon) is fine example of story dealing with history event.
7. Local Color
These types of stories deal with the customs and traditions of rural and small-town life. You can enjoy the local color in the stories of George Washington Cable, Maria Edgeworth, Sarah Orne Jewett, and Mary Wilkins Freeman.
These are some of the types you may find in sort story genre. In modern times, stories have more local color, diversities in the representations, development use of dialects, and vernacular impressions. The story writes have been taking somewhat flexibility in writing stories as they wish.
assorted Types of Short StoriesIf you are a bad dream movie fan, you probably want to see all the 2011 bad dream movies trailers available, and make an idea about what the top bad dream movies of 2011 will be. Though you might be a great fan of the bad dream genre, you might not have the time to see them all. This is exactly why, habitancy like viewing trailers in develop and make an idea about movies. This way, they find a way to make time for the ones that seem more promising. You can find a great amount of potential 2011 bad dream movies trailers ready online, so this part should be pretty easy. Although there have been thousands of great potential films launched over the years, habitancy never seem to have enough.
Writers and directors face serious challenges arrival up with primary topics that will get fans all over the world into cinemas. However, real talent can't be held down by lack of ideas, as it honestly feeds on challenges. If you are sharp about how bad dream genre writers and directors have managed to live up to the challenge and make 2011 memorable, you can passage some of the most 2011 bad dream movies trailers online and get all the data you want. Viewing trailers is a great formula of anticipating all the best things bad dream movies have to offer, without having to rely on someone else`s description, and maybe personal interpretation of it. Viewing a trailer is like getting a taste of the cake, that will help you rule if you want to eat the entire slice of not.
The following lines will gift you with some of the darkest titles that bad dream genre will offer fans in 2011. One of the best 2011 bad dream movie is undoubtedly going to be Don't be afraid of the dark. You can expect nothing less, as even the title has something sharp about it. The movie is directed by Troy Nixey, and it will be released on the 21st of January, 2011. So, if the trailer looked pretty sharp to you than you should free you agenda for January, 21st. Just soon after the issue of Don't be afraid of the dark, you will have the occasion to view other great bad dream movie, The Rite. The movie will be released on the 28th of January, 2011, so you might have to rule between these two. There are many other options you can chose from, and watching their trailers might help you make the best choices.
My name is Seeta. I do not like it, but what can I do? I am not good at studies. I am fourteen years old, still in the fourth standard. My parents, working in our settlement school, all the time tell me to study. I go on reading, though nothing goes into my head. On the other hand, I like to work in the kitchen, helping my mother, and sweeps and mops our small home.
Our home is in a remote village, far from the road. To catch a bus, which plies only twice to the town, we have to walk several miles. Our neighbours are poor workers, who depend on daily wages. There is an old abandoned house, next to our own. I am afraid to go there even in the day time. The land belonging to the house extends up to the river, where we go for our daily bath.
One day we saw on old man coming there and sitting in the veranda of the old house. I just went there, spirited to know about this stranger. He asked me about the place and later I took him to see the river. He seemed very happy to be there, for he remained there for a long time, until I reminded him about the evening being very near. He gave me something very tasty to eat, which I had not seen before. When we returned, a man was waiting for him. They returned and I forgot about him.
After a month or so he came back, with his household effects, very few, just sufficient for cooking, and a huge collection of books, all well bound and in English. The men who accompanied him went back and he was left all alone! I shuddered at the view of sleeping alone in that haunted house, and when I told him about it, he laughed aloud. He occupied only the spacious room upstairs, the wall shelf stocked full of books.
The next morning when I went to see him, he was trying to sweep the room. Looking his clumsy action, I just took the broom and swept it in a few minutes. He said something in English. I shook my head. It became a habit for me. Some day I gave him some special dish we made at home, though he cooked his rice on a kerosine stove. Moderately we became friends, though my parents did not like it. They did not like the old man. Why is he staying here all alone? Has he no family?
When I put such questions to him, he remained silent, a pall of gloom descending on his face. I felt sorry for him. One day a young woman, wearing costly sari and brilliant necklace, came to visit him at noon, but left before the night, saying she is afraid of the house. They say it was his own daughter. I could not believe it. How can any one abandon her father, in his old age, in such a lonely place? I could not understand.
Months passed. We all went to attend a marriage in my mother's house, very far from our village. We had to voyage for two days by train. When we,returned, after a month or so, because it was vacation time, the house was locked from inside and there was no response, when we shouted and threw stones. My parents informed the police. When the house was opened by breaking the door, the body was found in a decaying condition.
I felt sudden giddiness. Afterwards I was told, the old man had given the house and asset in my name, together with a bank equilibrium of a few lacs rupees.
Short Story - The Haunted HouseOver the years I've had many of our manufacturer students ask pertinent questions such as what size home do I build; what do I put in it; where do I build it? finding back it's easy for me to make these decisions now, but when I first started building in 1975 these were trial and error situations. And my hindsight is crystal clear. It's very easy for me to look back and see things I wished I had known when I first started building. That's what you're going to learn in this article.
You'll learn the pros and cons of being a speculative or spec manufacturer (as opposed to a contract builder.) If you're not well-known with those terms, a spec manufacturer is one who will settle on a site, select a design, build a home and then sell it to a client. A contract manufacturer is a manufacturer that you hire to build a home for you. By the way, spec building is how I suggest you begin rather than building a home for somebody else. I'll construe why later.
I'll begin by showing you how to be one of the best spec builders in your area, even if you've never before built a home. I'll advance this information by discussing points that are unique to spec building. Next I'll discuss points that are unique to contract building, and points that pertain to both spec and contract building.
A Word Of Caution
I want to stress that when starting your building business, you must isolate your firm from your personal life. In the early 70's I was in real estate industrial sales. I barely survived a major recession. Roughly all things I owned was in my name and most of it was repossessed. Had I known then what I know now, I'd have retained that large home, that Mercedes and that airplane.
In the building manufactures there are many things that can happen to you, some of which you have beyond doubt no operate over. According to the 2008 every year report by the National center for State Courts, in 2007 Americans filed over 90 million lawsuits, more than a third of which were civil cases. This does not consist of the volumes of legal disputes that were placed before a lawsuit was ever filed. Based on the sheer estimate of legal disputes that arise, in and out of court, one could say that most Americans run the risk of being complicated in a legal dispute at some point in their lives - for many people, more than once. This is especially true for those who work in professions with high lawsuit vulnerability such as doctors, dentists and, yes, especially builders! You should invest in hiring professionals to help you protect your assets. It's easier than you may realize. This is one time you can't procrastinate. I can tell you some great bad dream stories but I don't want to scare you this early in the game. Anyway, don't live in fear of what might happen. You only lose if you don't play.
I. Speculative Building
A. How To Be One Of The Best Spec Builders In Your Area
Before you buy a lot, before you buy any house plans, the first thing I want you to do is put together your success team. I call this the Henry Ford philosophy. If you read about Henry Ford, you'd learn that some habitancy thought about him to be illiterate. He once sued a Chicago newspaper that wrote an report claiming he was illiterate. In the lawsuit, Henry Ford emphasized that he didn't need to know all things about all things because he hired experts to support him in all that he wanted to do. This left his mind free and clear to do all the things that he beyond doubt knew how to do. Well, I've learned from that religious doctrine myself over the years. I perceive there is not enough time in this life to do everything. I now hire experts to support me in my decision-making, and it has been a distinct factor in my success building homes.
Your success team should consist of the following:
1. Real Estate Agent
2. Landscape Architect
3. Artist/Architect
4. Kitchen/Bath Designer
5. Interior Designer
6. Lighting Designer
I'll discuss each of these team members in information as we go straight through the course. Don't be concerned. When you start out, you don't need the best. These team members are more affordable than you could perhaps imagine.
B. Obtaining Your First Loan
Let me tell you a story. And the further you get away from this story, the harder it's going to be to borrow money to get started.
Let's assume that you're gainfully employed. If you're not employed, but instead are self-employed, then you have to have a high credit score or produce tax returns for the past three years to qualify for the loan. If you currently rent a home or apartment and you want to build a home for yourself, you're a prime candidate to borrow money to build a home - for yourself. So, you get the money. You build a home. You put it on the shop during construction. You sell it. You go to the bank. You borrow money under the same premise. You get the money. You build a home. Put it up for sale. Sell it. Do it over and over again and pretty soon you walk into the bank and the banker looks at you and says, gosh, you should come to be a home builder. And you are.
Now, that's the easiest way to get started. Most every manufacturer I know got started in the manufactures this way. This formula will also furnish you with the least risk. Why? Because if you don't sell the home you'll naturally move into it. In turn, this will make it easier for you to sell because a home that is furnished will ordinarily sell faster than an unfurnished home. You'll eventually sell it and can start the process again. The bad news is that you may be fascinating a lot. I remember one consolidate that wanted to own a home free and clear. They used this formula on five homes, plowing their behalf back into each home. Their sixth home was constructed fully from cash. They owned it free and clear and got out of the building business. They naturally wanted to do what it took to own their home free and clear.
The further you get away from the above scenario, the harder it is to get the introductory loan when you're just getting started.
For example, let's say that you currently own a home and you want to borrow money to build another home for yourself. A banker will generally be negative. They tend to look at the downside and might criticism something like this. "That sounds real good but you currently own a home. What are you going to do with your current home?" Your response is, "I'll put it up for sale during the building of this new home and then I'll sell it." The banker comments, "That sounds pretty good, but what if you don't sell your current home?" The banker generally looks at the downside - that is you're going to be stuck with two house payments. If you're able to show you can afford two house payments, you may very well get the money.
You all the time have to have a thriving windup to your story you tell the banker. Never look at the banker and say, "Well gosh; I'm only borrowing 70% of the appraised value. If the bank had to repossess the home the bank would have a bargain. The bank could sell the home, and make a good return on its investment." Never use this kind of logic on a banker. Bankers don't want to be in the homeowner business. Never imply or even think in your mind this will happen.
If you're not gainfully employed or you have a problem with your credit or you have no cash, your next best formula is to find an investor that will joint investment a scheme with you. I've done this on many large projects when I didn't have the finances to afford it myself. What I ordinarily did was to buildings the investment so that the joint investment partner would put up very itsybitsy or no money. Investors beyond doubt like that! What I needed was their strong financial statement. Understand, there are many investors, such as medical doctors, who have sizable financial statements but they have very itsybitsy cash. So if you can buildings the investment so that it requires very itsybitsy or no cash, it becomes a relatively easy investment to sell. When I've worked with a joint investment partner, after selling the investment, the investor would be repaid any cash he had invested, plus a fair interest rate that was agreed upon up front. All remaining profits would be split 50% to me and 50% to the investor. ordinarily in a situation like this, the investor would let me deduct any out-of-pocket expenses but, understandably, they would not let me take any salary.
You would not believe some of the wild, crazy, ridiculous investments requiring large amounts of cash I've seen these habitancy put money into. Many of them have the same luck in the stock shop that I have. These habitancy should feel blessed that you came into their lives with a viable real estate investment. I've found these habitancy by talking to friends, going to investment seminars and running ads in the paper.
How to come to be a pro Home manufacturer - Part IHaving plastic surgical operation in the form of a facelift is pretty common, and the surgeons have gotten quite good at it. However, there are horror stories about face lifts that have gone bad.
The most tasteless bad face lift is when the skin is stretched too tight. If you live near a relinquishment community, you may notice a lot of the older women walking colse to with "that alert look" or a "look of constant amazement" on their face. Sometimes it seems that the surgeon pulled the skin so tight, that they cannot close their eyes. Many times the skin will stretch out with time and face returns to general looking, but sometimes, it never does.
The next most tasteless bad facelift is when the face ends up with scars. Most plastic surgeons are very good at small sutures, that leave dinky if any scaring, but occasionally, the scars never go away. There are a lot of distinct reasons for this, infection, reaction to the stitches, skin type, the list goes on. Sometimes, the surgeon just blows it, and the outpatient ends up scarred. Sometimes a second execution will be significant to keep the outpatient from seeing like something from a horror movie.
The best way to prevent these bad face lift surgical operation experiences from happening to you is be sure that your surgeon is well qualified. He may be more expensive that the guy operating out of his garage, but he is less likely to leave you scarred for life.
If you have a lot of sagging skin or numerous wrinkles, you may want to minimize the estimate of stretching that your surgeon does. You may end up with some of your wrinkles left behind, but it is a good seeing alternative than having "that alert look" and not being able to sleep at night because your eyes will not close anymore.
Having a facelift is a great way to look younger. You go to sleep and you wake up ten years younger, what is not to like about that?
Plastic surgical operation Gone Bad - The Facelift From HellTurner first-rate Movies program is planned with much concept in mind. That's certain from the movies run on many cable Tv stations. During the new Halloween scheduling, as an example, some of the finest bad dream movies set the mood with movies that moved from time-honored films that starred Vincent Price, Bela Lugosi and Lon Cheney to more new first-rate productions. It was a horror-film fan's fantasy and much appreciated by this genre audience. The time spread also accommodated the movie-viewing audience as well. Old movies blended with "neo-classics" so that all bad dream film tastes were covered to everyone's delight and enjoyment.
Turner first-rate Movies program also provides a perceive into background of movie stars, some with co-star's interviews and comments. This provides a more perfect look at how a particular movie was filmed and other incidental events. The program seems to be a collage of themes at times. Yet, the themes are inter-related and woven seamlessly into a tight program presentation.
There is also ready at a very cheap cost, a printed program of upcoming programming for audience convenience and review. It's a handy guide that offers an advance look at the types of films to be aired. It's on subscription basis, similar to any television guide to programming might offer. It's a must for those who rely upon Turner first-rate Movies program for their viewing preferences. It's annoying to have a beloved movie air and find you've missed it. There's nothing like settling back into an easy chair and watching a movie favorites or enjoying the discovery of a movie you've never seen before.
The program hosts also add an appealing widespread presentation of the movie to be aired. Yet, unlike some venues, the hosts are not obstructive and don't interfere with the delight of expectancy of a great film to be viewed. There's very wee industrial interruption and the program schedules are not time constricted. So, movies can be viewed at any time with perfect satisfaction.
The capability of Turner first-rate Movies program is top notch, reliable and very diverse. Once you subscribe to the movies guide, programming is at your finger tips. Most old movie buffs will find a treasure trove from which to take for viewing. first-rate movies are a great way to "zone out" or "rezone" into a time frame loved and remembered. Other great point is that those with a historical base truly do put a more enlightened perspective on the present.
Once you sense the first-rate movie schedule, it will entice you to look transmit to programming to be aired that fits your own personal preferences. With the first-rate movie guide in one hand and the remote operate in the other, all you need do is push the button for a astounding first-rate movie scheduling experience.
Turner superior Movies agenda - Watch superior MoviesSight
This is the one sense that provides most of the detail for our stories. Our words become our readers' eyes, giving us a blank canvas upon which to paint a picture to tell our story. From the sight of a coarse fear, such as a spider creeping silently along the floor to the notice of a shadow on the stairway... Sight is our greatest source of horror inspiration and description. When describing the sight of something dreadful there's a huge reserved supply at the writer's disposal, because we can use our other senses to add glorious, gory detail to our descriptions. Here's an example of how all five of our senses can be used to describe a easy scene:
The apple was moving green, its skin polished and shining as it nestled in the fruit bowl (sight). The scent was fresh, as though the fruit had just been plucked from the tree (smell). She took it from the bowl, her fingers conclusion around the firm level skin (touch) as she lifted it to her lips. The apple crunched loudly (sound) as her teeth cut straight through the skin into the tart, juicy flesh (taste). As the fresh juice ran down her throat she noticed a small black speck moving slowly in the creamy flesh. Closer inspection revealed that she hadn't just taken a bite from the apple - she'd bitten straight through a fat, juicy worm.
Sound
Remember when you were a small child, and your parents put you to bed? possibly there was no nightlight, and the Tv room was at the other end of the house...
You're lying in your bed. All alone. Desperately waiting for your eyes to accustom to the dark you hear it - a soft, scratching noise - and it seems to be advent from under the bed. It lasts only a moment before it stops. You wonder if you were hearing things, and you're so desperate for the darkness to lighten you forget to blink. The blackness seems to swirl around you, cloaking you in a thick, black fog straight through which no light can penetrate. Suddenly it's there again, only this time the scratching seems closer. And louder. It seems to last a bit longer this time. So you hold your breath, because that darkness doesn't seem to be lifting. You've lost the sense of sight, so by not breathing you hope to hear the sound more clearly, and recognize its location...
The description above relies on the complete absence of the sense of sight. This is where fear comes in and can play a major visible role - in this case blind fear. To compensate for loss of sight the sense of hearing becomes more acute, so the writer can introduce other horror-inducing thoughts and impressions. Where is the sound advent from? How close is it? Will I be able to feel it if it decides to climb on the bed? When will my eyes get used to the darkness? Should I start panicking now? If I get out of bed will it jump on top of me?
Touch
This sense conjures up description of things most us will probably try to never touch, like slime, frogs and warty skin. All these items are exquisite for the horror/scary genre, but writers can also take the more lowly touch phobias and use those items to horrific effect. Some habitancy cannot bear to touch velvet, while others are terrified of touching paper. Still others find their skin crawls when they encounter cotton wool...
Opening the wooden box in the hotel bathroom, she recoiled in horror. Nestling quietly in the bottom of the box, white and shining, was a lump of cotton wall balls. She stepped back, collapsing on the side of the bath. The mere idea of feeling those soft fibres squeaking as the ball pressed against her skin was adequate to induce goosebumps. She wrapped her arms around herself in a subconscious endeavor to protect her body from the fear she'd had her whole life. Just mental about cotton balls made her skin crawl. She moaned quietly, remembering the silent noise they emitted when squeezed; a noise that seemed to pass right straight through her skin. straight through her panic she wondered if she'd remember to pack her facial sponges...
Descriptions of this single sense can been embellished with the use of corporal reactions to feeling inescapable items; goosebumps, stepping away from the source of horror, collapsing with fear, subconscious act of defence (hugging the body) and a noise of fear (moaning). All these reactions add to the reader's imagination, while adding to the picture your words are "painting".
Smell
Bad smells in the horror/scary genre usually mean something bad is about to happen or has already happened. The smell of rotting or burning flesh is probably the most coarse description applicable to this genre, and the description of the smell can also be used to indicate how the death occurred. Bad household smells range from two week old pizza languishing in the refrigerator to potatoes burning in a pot on the stove. Adjectives include: smelly, reeking, fetid, malodorous, rank, putrid and noxious.
As she applied the finishing touches to the client's hair, a sharp smell suddenly assaulted her nostrils. It was a smell she hated and dreaded, because it was an odour so terrible the memory remained burned into the subconscious forever. She froze as the acrid stench filled the air, assaulting her nostrils and her throat with its foul flavour. An instant later her salon filled with gasps and shrieks of horror. She turned towards the three ladies seated underneath the dryers. Mrs Hamilton and Mrs Edgar had managed to wriggle out from underneath their dryers, but poor Mrs Smith was unable to move. One of the pins from her rollers had obviously caught in the dryer, and ignited her hair. Smoke was seeping out of the top of the machine, which had started to spark. Placing her hand over her mouth and nose in a endeavor to banish the malodorous scent she started to move towards Mrs Smith, who screamed as flames began flickering out of the dryer..."
Taste
Most, if not all of us, have an aversion to a inescapable food. We don't like to eat it and the taste of it makes us feel sick. possibly the mere idea of tasting it is adequate to induce some horrible thoughts and feelings.
The candlelight caught the designs on the wineglass, casting a dark crimson glow on the table. He lifted the glass to his lips, the rich musky flavour of the cabernet sauvignon still drifting over his taste buds. At the first sip of the wine he almost choked. There was obviously something wrong with this new bottle of wine, for the liquid in his mouth had a bitter, sour taste. Although the consistency was the same as the previous glass, there was an acidic flavour he could not identify... Although it seemed vaguely familiar. He swirled the liquid around in his mouth before swallowing it. It seemed to sting his tongue and burn the roof of his mouth, and when he swallowed the acrid liquid his throat tingled. Suppressing the urge to cough he reached for the glass of water next to his plate and took a sip. As the cool water cleansed the tart taste from his palate his hostess lifted the bottle he'd used to fill his wineglass... And poured balsamic vinegar over her plate of salad.
Writers have a magnitude of adjectives at their disposal when describing the horror of tasting unappetising food. These include: pungent, sour, acrid, bitter, fetid, stinking, putrid, decaying, rancid, reek, stale and bad.
Real life can be far more moving than fiction, and using our senses in our writing proves this truth. So the next time you sit down in front of your keyboard tap in to those five senses, and see just how they can colour your words!
Using the Five Senses to heighten Your Writing